After much deliberation, I have narrowed the final listening pool down to these 10 pieces:
Laurie Anderson “O Superman” (1981)
Iannis Xenakis “Concret PH” (1958)
Morton Subotnick “Silver Apples of the Moon” (1967)
Eliane Radigue “Kyema (Intermediate States)” (1988)
Wendy Carlos “Two-Part Invention in D Minor” (Bach) (1968)
Robert Ashley “Automatic Writing” (1979)
Charles Dodge “He Destroyed Her Image” (1972)
Max Mathews “Daisy Bell” (1961)
Qubais Reed Ghazala “Silence the Tongues of Prophecy [exerpt]” (1996)
Laurie Spiegel “Appalachian Grove” (1974)
You should be able to recognize and comment on each of these pieces. As with the midterm, partial credit will be given to those who can provide relevant commentary on the pieces. There will only be three pieces selected for this portion of the exam.
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